Moving on from failure

Moving on from failure

I failed at the violin.

I mentioned this recently to someone who knows me well—OK, my ex-fiancé—and his jaw dropped. Which is saying something, because at the time his mouth was full of Jersey diner waffle fries, and that stuff is precious cargo.

I guess I can understand his surprise. I played the violin for 16 years—from the age of five until I graduated from college. I entered competitions, attended summer programs, played in orchestras. I locked myself in the damp practice rooms beneath my college’s music building. I channeled my inner gypsy/witch when I performed the Saint-Saëns concerto, with its unsettling, strange beauty.

That might not sound like failure. But to me, it was. It is.

I was never as good at the violin as I wanted to be. I never managed to work hard enough at it, to give it my all. For years, the violin represented an instance where I failed to do my best, where I let people down—especially my dad, who spent hours each week shuttling me to and from lessons, writing up the advice my teachers gave me in his most careful handwriting, and checking on my progress.

When I zipped up my violin case after my senior year of college and adopted the excuse that I was just too busy to keep playing, I thought I’d move on. I thought a weight would be lifted from my soul.

But that never happened. I still carry the weight of that failure with me.

I explained all of this to my ex, but he was still baffled. “Sure,” he said, “you could have practiced every hour of every day, but you did other things with your life. That’s OK.”

But is it?

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Kundalini yoga for writers: a Q&A with Donna Amrita Davidge

Kundalini yoga for writers: a Q&A with Donna Amrita Davidge

This post features a Q&A with one of my favorite yoga teachers, Donna Amrita Davidge.

I love a vigorous yoga practice as much as anyone on this green earth. For years I believed I'd never be fit or athletic or strong, so discovering that I can hold a handstand for two seconds has been a revelation.

After all, two seconds feels like a long time when you’re upside down.

Five days a week, I practice yoga at my gym, where the classes are sweaty and challenging and packed with conspicuously beautiful people. (Seriously, where do these people come from? They make suburban New Jersey look like a music video.) Together, the beautiful people and I power our way through a million chaturangas and some til-death-do-us-part forearm planks, pouring sweat onto the hardwood floor.

After a particularly challenging class, as I weave my way through the gym's main level—past the giant TVs playing infomericals, past the gazelle-like women on the elliptical machines and the beautiful, intense souls who are bracing themselves to lift a giant barbell yet again—I congratulate myself for having survived. 

Some days, though, I need a yoga practice that soothes my soul. I need something more spiritual, more meditative. That's where kundalini yoga comes in.

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A (super simple) meditation for when you feel lost

A (super simple) meditation for when you feel lost

I have an alter ego. An evil twin. A persona I slip into—sometimes without even realizing it.

Let’s call this persona Lauren. Lauren tends to take over in social situations where I’m keen to impress people or make them like me. (In other words, pretty much all social situations.)

Lauren is brighter than I am, sparklier. She laughs at your jokes, or when you say something mildly (or wildly) inappropriate. If the conversation lulls, she launches into one self-deprecating story about herself after another. She’d rather share painful personal details than face a moment or two of awkward silence. If you’re a single man, she might find excuses to brush your arm or shoulder with her fingertips.

Lauren doesn’t disagree with you, ever. Her cheeks cramp from smiling so damn much.

For years, Lauren came out whenever I went to a party, or clomped on my black heels into a job interview, or even tried to make conversation with the yoga teacher whose class I took every Sunday...

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Perfectionism and Writer’s Block

Perfectionism and Writer’s Block

My novel isn’t written yet.

I planned to finish it ages ago. Like any good former Catholic schoolgirl, I followed all of the best getting-stuff-done advice:

  • Set daily goals for my word count.
  • Gave myself firm deadlines.
  • Asked friends to keep me accountable.
  • Hired a life coach.
  • Made spreadsheets, for goodness sake.

Something wasn’t working, though. Those deadlines came and went. I told myself I didn’t have enough free time, so last September I quit my job, hoping that the additional time and energy—not to mention the making-a-living sword dangling over my head—would spark brilliant sentences from my fingertips.

I even did visualizations, indulging in elaborate daydreams of typing “The End,” uncorking champagne, and receiving congratulatory hugs from friends and family and my agent. (No, I don’t have an agent, but it was my visualization, so I made it damn good.)

Well, none of that worked. Sixteen months after starting my novel, I’ve drafted about 55,000 words. Some of those words are good, some of them are dreadful, and I’ve been stuck around the 50,000-word mark for way longer than I’d care to admit.

So what happened? 

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    What to do when your writing is rejected

    What to do when your writing is rejected

    When I was 21—and so fresh out of college I was still catching up on sleep—I complained to my mom that I didn’t have anything to write about.  

    I sighed, propping my elbows on my parents’ perfectly clean kitchen counter and gazing out at the tranquil suburbs that surrounded our house. “I mean, what could I possibly write?” I said. “My life’s just too boring.”

    Well, that isn’t true anymore. Within the past year, I’ve lost a parent to cancer, quit my high-paying job without all that much of a backup plan, and canceled a wedding that was only seven weeks away. I’ve moved into an apartment with a hole in the bathroom wall. I’ve gone on dates and said humiliating things during them—for example: “Sorry, I’m a bit out of practice.” I’ve toppled out of a handstand in the middle of a crowded yoga class.

    So what did I do? I poured all of the pain, all of the lessons I’ve learned from my father’s slow, horrible illness and the slow, horrible dissolution of my relationship, into a 1,700-word essay. I revised it ten times, until it sounded like me. It was lyrical but real, and still a bit raw about the edges. My mom cried when she read it.

    And then I sent the piece to my dream venue. “It’ll be perfect there,” the woman who teaches my nonfiction class told me. I checked my email about a million times a day, looking for the editor’s reply. Every time I got a call from an unknown number, I wondered, “Could this be it?”

    Tonight, I got my reply: a form email rejecting my essay. And just in case I was tempted to ask why, the note demurred, “The volume of submissions we receive makes it impractical for me to offer editorial feedback.”

    Well, that’s that.

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